Color grading
Techniques for grading footage intended for both HDR displays and SDR legacy devices effectively.
Mastering a dual-target grade demands precise control of color, contrast, and tone mapping so scenes stay natural on HDR screens while preserving detail and readability on older SDR devices.
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Published by Justin Hernandez
July 30, 2025 - 3 min Read
HDR workflows demand careful management of extended luminance and wider color gamuts, yet the output must still read convincingly on standard displays. Start by establishing a neutral baseline that preserves highlight detail without clipping, then craft your primary grade to define mood and clarity. Use a calibrated reference monitor to track luminance levels across the range, and keep an eye on skin tones, which are especially sensitive to hue shifts. The goal is consistently balanced color across scenes, not dramatic swings that only excel on one target. Document your grading decisions so you can reproduce similar results under different lighting or display settings.
When preparing footage for SDR devices, the core challenge is preserving depth while avoiding crushing shadows or washing out highlights. Create a guardrail by mapping HDR exposure into a safe SDR gamut, then apply a perceptual luminance curve that maintains detail in midtones and preserves texture in shadows. Introduce a subtle lift in small highlight regions to prevent flat looks, but avoid over-enhancement of glare that could exceed SDR brightness limits. Finally, verify tonal relationships on a representative SDR monitor to ensure the grade remains faithful and legible, even if the viewer never experiences the full HDR spectrum.
Use perceptual tools to preserve readability and color fidelity.
A robust approach starts with a master scene-referred grade, then adapts this grade per target device. Use a LUT or node-based pipeline to map HDR values into the SDR range without erasing creative intent. Carefully manage white and black points to retain contrast without introducing clipping on older screens. When skin tones drift toward unnatural hues, pause to recalibrate the midtones, ensuring they remain consistent across scenes. Document any parameter tweaks for future projects and create a quick-reference sheet of target values for common display types. Consistency across assets saves time in post and improves viewer experience.
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The practical workflow emphasizes non-destructive adjustments and test renders. Work in a color-managed environment with a wide gamut and a robust monitoring chain. Build your grade in a neutral space, then generate SDR-limited previews to check for artifacts like haloing or posterization. Use noise reduction sparingly in flat areas to maintain depth, because excessive smoothing can erase fine texture in low-contrast regions. Implement micro-contrast tweaks to differentiate surfaces, but ensure those changes remain stable when the signal is compressed. Finally, compare the preview to a reference shot to confirm the overall mood remains intact.
Maintain consistent skin tones and controlled saturation across scenes.
Perceptual adjustments help maintain consistent brightness perception across devices. Rely on curves that reflect human vision, not linear ramps, to keep midtones expressive while controlling extremes. Employ a chroma-lift strategy judiciously so colorfulness stays plausible as brightness changes across scenes. When testing on SDR displays, watch for color shifts in neutral grays and skin tones; small deviations can undermine realism. Add a soft grade bias that you can toggle per sequence to preserve continuity between shots. The objective is a natural, non-distracting look that remains credible whether viewed on a cinema screen or a handheld device.
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Another essential step is managing gamut compression without sacrificing texture. HDR to SDR translation benefits from selective saturation control: push color in areas where it enhances storytelling, but dampen it where it threatens color clipping. Maintain a consistent saturation floor to avoid washed-out shadows, yet avoid over-saturation that becomes obvious on small screens. Use a fabric of look-dev checks across different scenes to ensure the grade remains cohesive. When possible, encode metadata that communicates the intended display range to downstream players, so viewers experience the intended intent with minimal interpretation.
Test across devices with randomized viewing conditions for resilience.
Skin tone fidelity is a linchpin of credible grading, especially when delivering to multiple platforms. Begin by profiling the actor’s skin under a neutral reference light, then keep hues anchored within a natural range that suits diverse lighting conditions. As scenes evolve, tiny hue shifts can accumulate and become conspicuous on SDR displays. Counter this by a narrow hue-saturation adjustment focused on the skin channel, applied in small increments. Monitor gray cards and neutral fabrics for color drift throughout the sequence. If an HDR shot feels overly saturated after SDR translation, back off texture-enhancing passes and rely on luminance balance to restore realism.
Narrative-driven color intent should survive compression and device variability. Establish a grade that serves the story first, then ensure the look respects platform constraints. Use secondary grading to highlight important elements without overpowering the composition. For example, emphasize cool tones in tense moments while preserving warmer cues in conversational beats, but keep transitions smooth so that the audience perceives continuity rather than a display-driven shift. Regularly verify the result on smaller, consumer-grade displays to catch contrast or color anomalies early in the pipeline, preventing costly revisions later.
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Conclude with a practical, repeatable pipeline for future projects.
A practical testing routine mixes studio-grade references with real-world viewing scenarios. Create a set of baseline SDR previews derived from the HDR master, then test across mobile, desktop, and TV screens. Note any inconsistencies in luminance, color, or edge definition, and trace them back to grading nodes that may need recalibration. Streaming encodes often apply dynamic range mapping, so ensure your master translates gracefully through various encoders. Document the exact monitor settings used during testing so you can reproduce results or explain deviations to stakeholders. This discipline reduces the risk of unpleasant surprises after release.
In addition to hardware checks, watch for perceptual stability during motion. Rapid camera pans or bright-to-dark transitions can cause temporary color shifts or halo effects if the grade isn’t robust. Use exposure controls that preserve detail across frames and enable motion-adaptive tonemapping where available. When dealing with mixed lighting, prefer a consistent white balance strategy that maintains color coherence from shot to shot. The goal is a stable frame that remains legible and emotionally truthful on every device, regardless of the viewer’s bandwidth or display capability.
The final thought is to establish a repeatable, source-to-delivery workflow that respects both HDR and SDR realities. Build your pipeline around a shared baseline, including calibrated monitors, standardized LUTs, and a clear naming convention for different delivery targets. Use test charts and control groups to quantify color accuracy and luminance consistency, rather than relying solely on subjective preference. When teams collaborate, maintain a centralized reference that captures your look development decisions, technical constraints, and validation results. A strong pipeline not only speeds production but also sustains a high-quality, future-proof finish across platforms.
To close, keep your dual-target grading approach disciplined and adaptable. The tech landscape shifts, but the fundamentals endure: preserve detail, maintain natural skin tones, and ensure readability on legacy devices without sacrificing the emotional resonance of HDR. Regular reviews, meticulous documentation, and ongoing testing are the pillars of a robust workflow. By treating SDR and HDR as complementary rather than competing targets, you craft footage that communicates clearly and beautifully, no matter how it is viewed or encoded.
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